Elizabeth Sayre is a percussionist and musicologist who has performed, published articles about, and organized events around Afro-Latin, Brazilian, and African music since 1990. She is a freelance musician, teacher, researcher, writer, and translator/interpreter. She relocated to the Bay Area in July 2012 and has been playing and teaching batá and other percussion, accompanying classes and performances with Arenas Dance Company, and working as Arts Education Coordinator at the Grand Theatre Center for the Arts in Tracy, CA.
In Afro-Cuban music, she has studied with John Amira, Orlando Fiol, Amelia Pedroso, Lázaro Pedroso Michael Spiro, Michel Aldama, and Orlando Álvarez González in Philadelphia, New York, San Francisco, and in Havana and Matanzas, Cuba.
Since 1999 she has accompanied Afro-Cuban dance classes in New York City (batá, congas), Philadelphia, and the Bay Area for former dancers from the Conjunto Folkórico Nacional de Cuba, Yoruba Andabo, Cutumba, and Raíces Profundas. Elizabeth was percussion captain for Obini Ashe and founder/musical director of Okan Iloro, two all women’s Afro-Cuban folkloric groups based in New York. In the mid-1990s she was invited to join Samba Nosso, the project which eventually became Philadelphia’s dance band sensation, Alô Brasil.
In Spring 2013, she co-organized Ojalá’s trip to the Festival del Caribe in Santiago de Cuba. Ojalá is an 8-woman ensemble that fuses Afro-Cuban and Brazilian percussion with African American roots music.