Our BORN TO DRUM 2017 Faculty

Orisha Song Class
Gladys “Bobi” Céspedes has been at the forefront of representing and promoting Cuban music in the U.S. for more than 40 years. A vocalist, band leader, and educator, she first won acclaim as co-director and lead singer for the award-winning family band Conjunto Céspedes, which played pre-salsa Cuban son dance music and recorded and toured internationally. Since 2003 Céspedes has led her own band and recorded two albums, “Rezos” and “Patakin.”
Healing Journey – Hands on Healing & Motherpeace Tarot cards
Vicki Noble, cocreator of Motherpeace, is a radical feminist healer, author, independent scholar and wisdom teacher. Born in 1947 and raised in Iowa, she awakened to the Goddess and Women’s Spirituality on her arrival in Berkeley, CA in 1976. Through a shamanic healing crisis, she opened psychically to the healing, art, yoga and divination processes that led to the creation of the Motherpeace tarot images. Since then she has written numerous books, including Motherpeace (1983), Shakti Woman (1991), Ritual and Practice with the Motherpeace Tarot (1998/2003), and the Double Goddess(2003). With Miriam Dexter, she recently co-edited an anthology, Foremothers of the Women’s Spirituality Movement: Elders and Visionaries (2015). Vicki has developed a powerful public ritual healing process, in which participants perform hands-on healing in the context of drumming and chanting. She teaches and lectures internationally, and has led tours of women on pilgrimage to sacred Goddess sites around the world. She taught for two decades in Women’s Spirituality Masters Programs at CIIS and New College in San Francisco, and finally at ITP/Sophia University in Palo Alto,CA. Since 2006, much of her time has been spent teaching regularly in Italy, where most of her books have been published in Italian and she has developed a following of women who study and practice her adapted Tibetan Buddist Dakini practices. Vicki is a professional astrologer with a focus on Goddess archetypes and healing for individuals or couples. In her readings (on phone, Skype, or in person) she utilizes natal, transit, and progressed charts. As a mentor to women, Vicki facilitates private tutorials in Santa Cruz, California, for those interested in teachings and practices of Goddess spirituality, Motherpeace Certification, Matriarchal Studies, and Female Empowerment. Since 2001, she has adapted and customized Tibetan Buddhist Dakini practices for her students of Goddess spirituality, who come for three to five days of intensive one-on-one learning. Vicki lives in Santa Cruz near her daughters (Robyn and Brooke) and son Aaron (the subject of her 1994 book, Down is Up for Aaron Eagle), plus three grandchildren and two great-grandchildren. When she isn’t working or babysitting, she watches whales in the Monterey Bay, gardens, and keeps bees.
Drums and Culture from Congo and W. Africa
Mabiba Baegne is an internationally acclaimed teacher, drummer and choreographer of traditional and contemporary African Dance. Mabiba was born in Congo Brazzaville and initiated into dancing by her grandparents at the age of eight. Mabiba is an inspiring drummer. In addition to her Congolese dancing, Mabiba has studied West African dunun drumming with master drummer Famoudou Konate in Guinea and she was the first woman to teach this form in the United States. Mabiba is also an acclaimed singer and has toured and recorded with Salif Keita, master drummer Mamady Keita, and Samba Ngo.
Adwoa Kudoto
Drums and Culture from Ghana
Adwoa Kudoto is from Cape Coast, Ghana (West Africa).When Adwoa grew up in Ghana, drumming was considered a taboo for women. Adwoa has been able to break down these barriers and misconceptions surrounding women and drumming arts. In 1999 She was recognized and awarded the title as the Only Versatile Female Master Drummer in Ghana. Adwoa is very passionate about drumming and teaching and has traveled to Sweden, Denmark, Germany and the U.S. sharing her culture. Adwoa embraces everyone on different levels of drum experience. She loves to teach and believes drumming is healing and also brings us all together in love. Adwoa has also dedicated her life to helping orphaned young boys and girls by teaching and performing with them at birthday parties, weddings, graduations and many other community events. Her celebrated group, Nyame Tsease African Traditionals, travels both locally and abroad to teach and perform.
Fredrika Keefer
Taiko Drums and Hip Hop Dance
Fredrika is a Hip Hop, Ballet, Contemporary and Traditional Japanese Taiko drumming teacher. She is currently a member of Dance Brigade And Alayo Dance company. Born and raised in San Francisco’s Mission district, Fredrika started her dance training at age 5. When she was 14 years old, she started her hip-hop dance training with the well-renowned choreographer and Mind Over Matter’s director, Allan Frias. She proceeded to dance with his company for 6 years. Since then, she has worked with choreographers such as Kim Epifano, Anne Bluethenthal, Christy Funch, Krissy Keefer, Ramon Ramos Alayo, just to name a few. Fredrika takes the responsibilities of an educator very seriously, and works hard to develop mutual trust and respect. After earning her diploma from San Fransisco School of the Arts, she immediately pursued a career in dance education and started, at age 17, to teach, in the youth program, at Dance Mission Theater. Her hard-work has given her the opportunity to hold a series of increasingly responsible teaching positions. She has been a guest teaching artist at SPACE ( School of Performing Arts and Cultural Education), in Ukiah and Destiny Arts Center, in Oakland. She also has been a trained teaching artist at Performing Arts Workshop, in San Francisco, where she specializes in critical thinking through dance with preschoolers. Her teaching experiences has exposed her to diverse populations and art forms: from preschoolers to adults, from new to experienced aspiring dancers. She has successfully taught diverse student populations whose learning and social functioning levels cover a wide spectrum. She provides a well-balanced dancing experience along with basic rhythm grasping tools. She continuously imparts knowledge in an enthusiastic manner, motivating the students in ascertaining their strength and abilities, stimulating a learning environment that fosters confidence. Fredrika aims to encourage her students to reach their full potential. Fredrika’s broaden experiences have brought her to travel to teach and perform nationally and internationally (Lebanon, Egypt, St. Maarteen). She is currently a guest teaching artist at La Ena (Escuela National de Arte) in Santiago, Cuba.
The Plants, The Womb and The Earth
Kanchan, Co-Director at Spiral Gardens and Co-Creator of the California Annual Women of Color Herbal Symposium, has had a deep connection with healing plants as long as she can remember but her commitment to learning them and their preparation crystallized when she became a mother 28 years ago. To prove this she produced her first plant-based product, Rasa Body Balm, and shared it with family and friends. Creating that product launched her into her first home-based business and firmly on the path of herbal medicine making. Spiral Gardens grows a large variety of useful plants and teaches children and adults, about how to identify, grow, harvest, dry, prepare and use medicinal plants in urban soil. She believes Earth provides everything we need to live well and to heal. Her vision is to find us all connected with each other in service to Life and Earth who nourishes us all. spiralgardens.org
Puerto Rican Bomba and Culture
Denise Solis is an activist, labor organizer, and musician who has been living in the Bay Area since 2002. Denise began working in the Latino/a cultural arts community in 1999 at the Guadalupe Cultural Arts Center as a Program Coordinator in San Antonio, Texas where she is from. Upon re-locating to the Bay Area in 2002 she worked for Teatro Campesino and La Pena Cultural Arts Center before making a shift to labor and community organizing in 2003. Denise began studying the Afro Puerto Rican musical tradition of Bomba in late 2004 at the Bomba and Plena workshop at La Pena Cultural Center in Berkeley and with Roman “Ito” Carrillo, she has also learned from and sought after learning and experience through collaboration with Bomberos and Bomberas in Puerto Rico and the Diaspora. Denise has also more recently come under the mentorship and continues to learn from, Jesus Cepeda, El Tambor Mayor. In 2005, she became a founding member and began performing with the Bay Area based Afro Puerto Rican ensemble Kacique y Kongo (2005-2007) for which she was a principal singer and drummer, she later performed with Grupo Aguacero (2007-2009) as a singer and drummer. Denise is a co-founder and founding Director for the Bay Area’s first and only all women’s Bomba ensemble, Las Bomberas de la Bahia, which was founded in 2007. In her role as one of only a couple of lead drummers (Primo player) in the tradition of Bomba both in PR and the Diaspora at the time, Denise was offered the opportunity in 2006 by La Pena Cultural center to produce and direct an event featuring Bomba performance which would highlight women for their Latino Festival in 2007. Together with other Bomberas that she invited to help her lead this endeavor, women from the Bay Area performed in the production, La Bomba es Nuestra, which brought together Bomberas from Puerto Rico and the Diaspora in April 2007 and was the catalyst for the inception of Las Bomberas de la Bahia. La Bomba es Nuesta was a historic event in that it was the first in its kind in the US and Puerto Rico, this event was held at La Pena Cultural Center in Berkeley, CA. In July 2008 she was a participant and the Musical Director for Cimarronaje, a follow up performance of La Bomba es Nuestra and reunion of the Las Bomberas de la Bahia with counterpart female Bomba dancers and musicians from Puerto Rico and the Diaspora. Denise is one of a few female lead drummers (Primo(a) or Subidora) in Puerto Rico and the Diaspora with in the Bomba genre, along with directing Las Bomberas de la Bahia, she has performed with other Bomba groups in the Diaspora including, Modesto Cepeda y La familia Cepeda in Maestros de Bomba en la Bahia, with Grupo Nandi in Puerto Rico, Chicago and New York, with Grupo Aguacero, Grupo Cacique y Kongo and La Mixta Criolla in the Bay Area, Grupo Areito Borincano in San Diego, Grupo Buya and Bompleneras in Chicago, Grupo Bambula in New York at the Hostos Bomplenazo conference in the Bronx, and has sat in with the groups Desde Cero, Son del Batey, Grupo Tambuye, and with Grupo Folklorico National Hermanos Cepeda in Puerto Rico. She has had the privilege to learn from and play with some of the most renowned masters in the Bomba genre which include, Jesus Manuel Cepeda “El Tambor Mayor”, Modesto Cepeda, Roman “Ito” Carrillo, Jorge Emanuelli, Angel Luis Reyes, Hector Calderon, Victor “Vitito” Emanuelli, Tata Cepeda and Oxil Febles. Denise has taught workshops since 2010 at the Women Drummers International’s yearly Born to Drum Camp in Northern California as well as their special Drum Sundays workshops on featured Sundays in the Bay Area. She is also teaching Bomba Percussion and Song classes and playing for the Bomba Dance classes (Basic, Intermediate, and Advanced levels) at Studio Grand with, Bomba dance teacher Julia Cepeda under their project, Taller Bombalele, on Sundays in Oakland and on Wednesday evenings at Galeria de la Raza in San Francisco and is the director of the class performance ensemble Grupo Taller Bombalele.
Julia Caridad Cepeda MartÍnez
Puerto Rican Bomba and Culture
MARTÍNEZJulia Caridad Cepeda Martínez was born on November 13, 1976 and is the daughter of Bomba Master Jesús Cepeda Brenes and Sonia Martínez. Julia is the granddaughter of the Puerto Rico’s patriarch of Bomba and Plena, best known as El Roble Mayor, Don Rafael Cepeda & Caridad Brenes. Julia was born into the cradle of the Cepeda Family, a family of artisans, musicians, dancers, and composers. The Cepeda Family has devoted themselves to the preservation of Puerto Rican folklore for many years. Julia is part of the sixth generation of Bomba practitioners in her family. Her father, Jesús Cepeda, best known as el Tambor Mayor, is the director of the Rafael Cepeda Folkloric Cultural Foundation. Julia Caridad made her debut performance in 1981 at the Center for Fine Arts in San Juan, Puerto Rico, in collaboration with the Ballet of San Juan in a piece directed by the distinguished Ana Garcia. In 1982, Julia was featured in the documentary El Patriarca (The Patriarch), which told the history and significance of Puerto Rican folkloric culture. In 1983, she traveled with her family to Washington DC where they were presented with the National Heritage Fellowship Award by the National Endowment for the Arts granted by the Smithsonian Institute. At that time, all of members of the Cepeda family were given a certificate of recognition by the, then, President Ronald Reagan. In 1985, Julia was part of a cultural exchange that included Cuba’s Irakere, Rey Barreto, and the Cepeda Family on the island of Guadalupe. Since then, Julia Caridad has continued to nurture her position as a part of the Bomba tradition along with her family having taught dance classes, participating in collaborations and presenting publically with international artists including Paul Simon, Ricky Martin, Robby Dracco, Wilkins, Manny Manuel, among others. In 1996, she was brought to New York to teach Bomba classes, demonstrating the various rhythms of Bomba. She also helped found the Proyecto Dos Alas (Two Wings Project). In 2000, along with her family, she toured 25 U.S states presenting Bomba and Plena throughout. Since then, Julia Caridad has been the principal instructor for the Rafael Cepeda Folkloric Cultural Foundation. In 2012 and 2013, Julia was part of a Puerto Rican television show titled Salsa, Bomba, y Plena. In 2013, she was invited to participate in the Paso Negro Foundation performance, directed by Oxil Febles, and performed alongside a group of female performers who are dedicated to the folkloric traditions of Puerto Rico. Upon relocating from her home in Puerto Rico to the San Francisco Bay Area in late 2013, Julia was invited to teach Bomba Dance classes at Studio Grand Oakland and at Galeria de la Raza in San Francisco in 2014. She then co-founded Taller Bombalele with Bomba Dance and Music Classes in the SF Bay Area with her partner, Denise Solis. Julia currently teaches Bomba classes at Studio Grand Oakland, Galeria de la Raza in SF and is producing and co-presenting a summer residency titled, “De Santurce a la Bahia, La Bomba es Vida, en Honor a loa Patriarcas” with Galeria de la Raza. During this Residency Jesus Cepeda and other members of the Familia Cepeda will be teaching workshops and hosting community Bombazos and performances in the SF Bay Area and collaborating with the students of Taller Bombalele specifically. Julia is a dedicated advocate of Puerto Rican culture and of the legacy of her Family. For that reason, she continues to share the traditions with new generations. She is also a poet and composer of Bomba music. She shares with you this quote by her grandfather, Rafael Cepeda, ʺMientras exista la Familia Cepeda, habrá Bomba y Plena para buen rato (While the Cepeda Family exists, there will be Bomba and Plena for much time to come.)” – Rafael Cepeda Atiles
Djembe and Conga Drums
Nikki is an extraordinary percussionist, educator, and performing artist who travels promoting empowerment through celebration of African cultural heritage. Born in Colón, province of Panamá, and raised in Los Angeles, since her early 20s Nikki found that drumming reconnected her with her West African, Caribbean, and Panamanian roots. Drumming has been her vehicle to engage with and build community. Her persistence, tenacity, and creativity gained her entry into the music community. Recording credits include collaborations with Kahlil Cummings, Aloe Blacc, The Rebirth, and Kendrick Lamar. She’s toured with Les Amazones of Guinea, Viver Brasil, and The Rebirth and performed with Stevie Wonder, Miguel Atwood Ensemble, Candi Sosa, Will I AM, Rihanna, Janelle Monae, and Shakira.
Drums and Culture from Jamaica
Ouida Lewis educator and percussionist/hand drummer, is a lecturer at Edna Manley College of Visual and Performing Arts in Kingston, Jamaica. She teaches traditional rhythms of her island home Jamaica, the original sound of the Reggae genre, Afro-Cuban, West African Djembe and Dununs. She is also a tap dancer and personal trainer. She teaches both children and adults in an effort to pass on the knowledge of the evolution of Jamaican music. Ouida says, “This is important to me as I realize that people are becoming less aware of the origins of our music and the enormous rich culture it spans from, thus losing a sense of self. Together with a group of educators we hold and teach the history of the traditional Jamaican folk forms. It’s a long-time dream of mine to share Jamaican traditional rhythmsoutside of Jamaica.” In the summer of 2015, she will be visiting Jamaican drummer Afia Walking Tree. She will conduct classes at the Oakland Public Conservatory of Music and pursue other opportunities to share Jamaican style.
Song, Mbira and Culture from Zimbabwe
Sheree Seretse, Director of the Anzanga, Shumba Youth and Zambuko Marimba Ensembles has been teaching, studying and performing for over 40 years. Affectionately known as “mama marimba”, Sheree’s passion and drive for Zimbabwean Marimba music shines through the five recordings she has produced and numerous other recordings on which she made appearances. Sheree received her initial training through renowned musician and composer Dumisani “Dumi” Maraire. She has facilitated many workshops around the country and has toured extensively around the globe. Sheree believes that marimba music is accessible to everyone.
The Healing Ecstasy of Sound
ennifer Berezan is a unique blend of singer/ songwriter, producer, and activist. Over the course of ten albums, she has developed and explored recurring themes with a rare wisdom. Her lifelong involvement in environmental, women’s, and other justice movements as well as an interest in Buddhism and earth-based spirituality are at the heart of her writing. Her intense and personal approach to music as a transforming experience has brought her strong rapport with audiences from small clubs to large festivals throughout North America and Europe. Her ground breaking work as a recording artist and teacher has established her as a leading voice in the field of music and healing and she is an acclaimed producer of large scale multi-cultural ecstatic musical events. She teaches at the California Institute of Integral Studies in San Francisco in the department of Philosophy and Religion. Her on-going class (since 1997) is entitled “the Healing Ecstasy of Sound” and explores music as a spiritual practice from a wide range of cross cultural, traditional and contemporary perspectives. Her 1988 debut album In the Eye of The Storm laid the groundwork for what has since become music in a style that then had no label but today is part of “Americana”. The more rock oriented Borderlines (on Flying Fish/Rounder Records), was nominated for a 1993 NAIRD award (the Grammy of the independent record industry). Refuge (1997) explored lush acoustic arrangements intertwinedwith vulnerable personal themes. She Carries Me (1995) marked the beginning of Jennifer Berezan’s journey into the realm of meditative and trance music. This album featured special guest Olympia Dukakis in a spoken word part. In 2000 she traveled to Malta to create Returning, a cross cultural chant-based piece. This breakthrough work pioneered her unique approach to creating long playing, layered compositions. It was recorded in a 6000 year old oracular underground sound chamber in the world’s oldest temples. Returning was followed by Praises for the World (2002), which features special guest Alice Walker and singers from a variety of cultural and spiritual traditions. Praises for the World developed into a large scale theatrical piece as Jennifer embraced her love of collaboration. It involves nearly 60 musicians, dancers, poets, actors and activists. Performances have included guest artists Alice Walker, Gloria Steinem, Olympia Dukakis,Eve Ensler, Wilma Mankiller, and Tuck and Patti. The performances also function as fundraisers and educational events for progressive organizations. In 2005 she released End of Desire, a work that reveals her broad musical influences and interests. It weaves elements of folk, rock, chant and pop with subtle Buddhist themes, songs of love, longing and the struggle for global justice. Acoustically based with Jennifer’s guitar and smoky vocals at the forefront, it is a warm and haunting production. It includes vocal appearances by Bruce Cockburn and Emily Saliers (Indigo Girls). 2011 and 2012 have found her especially prolific, with 2 new unique releases. In these Arms, A Song for all Beings is a longplaying musical meditation based in the Buddhist practices of lovingkindness and compassion. Berezan traveled to Korea with co-producer don benedictson to record 250 Buddhist nuns from Un-munsa monastery. Their chanting is interwoven with voices from around the world, including Dechen Shak-Dagsay(Tibet), Rita Sahai(India), Katia Cardenal(Nicaragua), Buddhist teacher Jack Kornfield and others. Her most recent release “Home” continues her signature mix of emotionally rich songs, original guitar work, warm production, a collection of esteemed musical friends and themes that touch on “home as everywhere”…California, Beijing, the Yukon Canada, and the internal realms of the heart. Jennifer Berezan is not your typical singer/songwriter and her work continues to expand artistic boundaries, blurring the distinctions between musical styles, politics, and spirituality. Though her songs often confront universal issues, her perspective is informed by a refreshing and honest intimacy. Raised in the prairies of Alberta, Canada, the transformative power of nature is also at the heart of her work. The Canadian born singer calls Berkeley, California home when not on tour.
SF Jazz Poet Laureate
Genny Lim is the current Jazz Poet Laureate of San Francisco. A native San Francisco poet, playwright and performer, she has performed throughout the U.S. and at international poetry festivals in Venezuela, Italy and Bosnia, Hercegovina, collaborating with musicians that include Max Roach, Jon Jang, Francis Wong and in recent collaborations with Anthony Brown’s Asian American Jazz Orchestra, featuring Obatala in 1945: A Day of Infamy and a re-imagining of Max Roach’s seminal classic, We Insist! Freedom Now Suite. Lim’s published poetry collections include, Child of War, Paper Gods and Rebels and the soon to be released,
Lichi Fuentes
Songs from Latin America
Lichi Fuentes was born and grew up in San Fernando, Chile, a small town a couple of hours of the capital, Santiago. The youngest of seven children, Lichi grew up in a musical family; her father played the mandolin, her mother the piano and her grandmother the guitar. In high school Lichi formed a duo with a classmate. They entered all the local festivals and won a lot of the competitions. At age 19 Lichi attended the University of Chile Music School, in Santiago, where she studied voice, guitar, and music theory. While at the University, she formed two groups: Conjunto “Amanda”, the first all-women ensemble in Chile, and Conjunto “Araucaria”. Both these groups performed nueva canción, Latin American New Song. This music had its roots in folklore and popular music, but the lyrics dealt with contemporary social issues. In 1980 Lichi left Chile and moved to Berkeley, California. Almost immediately, she was invited to join “Grupo Raíz”, a group who performed music from Latin America New Song movement. Lichi was a member of Raíz for five years, touring and performing in North and South America, and Europe. During that time, Raíz recorded three albums. After Grupo Raíz, Lichi formed “Altazor” an all-women quartet in 1987.As with Raíz, Altazor toured and performed extensively, recording two albums. Since Altazor, Lichi has continued to be closely involved with music and social issues. She has taken part in a wide variety of activities ranging from South American children’s music with Colibrí, to Caribbean dance music with “Conjunto Céspedes” and Jesús Díaz y su QBA. Lichi is also a public school music teacher and has performed in the San Francisco Symphony’s Adventures in Music series. Lichi is currently the musical director of La Peña Community Chorus, an organization based in Berkeley which has toured internationally (Cuba, Chile, Mexico, Peru, Uruguay, and Argentina) and recorded two albums. In the last few years, Lichi has been more involved in solo musical projects, collaborating with musicians from the Bay Area. Her most recent album is called “Quien Soy”, a solo recording produced by Wayne Wallace.
Evelie Delfino Sales Posch
Sacred Indigeneous Gong & Bamboo Instruments from the Philippines & Beyond.
According to her mother +Divinia, her first music teacher, Evelie was singing before she could talk. Growing up around the world, she was exposed to many genres of music and plays everything from classical to sacred, Brazilian jazz to gypsy, Balkan to pop, folk rock to tribal, musical theater, and her originals. Evelie sings in 35 languages. Born with her feet on the ground (breeched) Evelie was raised as a healer by her mother. Recognized as a Babaylan (Filipino shaman, seer, ceremonialist) by the
Healing Journey – Grandmother Council, Yoga and African Dance
Queen Hollins is a Nu Traditional Afrikan Dance as Medicine instructor, shawoman, master ritualist, Kundalini yoga teacher, poet and author. She is the Founder and Principal Steward of the Earthlodge Center for Transformation Spiritual Center where women and queer communities heal themselves by doing ceremonies and rituals based in the nature of Mama Earth. She has been teaching dance classes as medicine, teaching yoga, writing poems, conducting rituals and fiercely advocating for the protection of all sacred wombs and the resurrection of the healing power of moontime (menstrual) blood for over 20 years. Learn more at about her work at: www.earthlogdgecenter.org and www.queenhollins.com
Drums and Culture from Ghana
Sena Kugbega is from Cape Coast, Ghana, (West Africa) and has been teaching drum and dance since she was 13 years old. As a young girl growing up, she always knew what she wanted to do. Sena Kugbega has also travelled with her mother, Award winning only female master drummer in Ghana Adwoa Kudoto, throughout the US teaching and performing in Washington, New York, Atlanta and California,etc. Sena was always willing to learn, learning how to have fun drumming and dancing. Dancing has always been part of her life and she does it with enthusiasm and joy. Sena is an excellent teacher and her classes are always fun with lots of room for plenty of laughter!
Legendary Vocalist and Drummer
Linda Tillery is a veteran drummer, vocalist, producer, and cultural historian whose career has spanned 34 years. Since the 1960’s, Tillery has been regarded as one of the San Francisco Bay Area’s most versatile singers. In the 90’s Linda took command of an even broader repertoire, tapping into the diverse resources of African American roots music. She shares with us the historic beginnings of Black music through Work Songs, Spirituals, Play Songs, Field Hollers, Moans and Ring Shouts.
Healing Journey – Breema
Karen has been has been student, teacher, patient, practitioner, and administrator of Integrative Medicine for over 40 years. She founded the Integrative Health Program within Contra Costa County Health Services in 1998, and under that umbrella, grew a large program of healing circles, known as Group Visits, in the clinics. They focus on building community, empowerment, health, respect and love – to support and inspire people to take precious care of themselves and others. She retired in 2015, but continues to train a whole range of staff members in team facilitation of these circles. Since first encountering Breema, the “Art of Being Present,” in 1985, the universal philosophy and revitalizing, balancing practices have been foundational in her life and work. As a certified Breema Instructor since 2001 – she has led workshops in California and Oregon.
 Since retiring, she now has her chance to pursue singing, sound healing, drumming and playing guitar to her heart’s content.
Native American Drum
I first experienced drumming when a child at local pow-wows, I wanted to drum, but was told nope, not for girls. It wasn’t even allowed to sing much with the drums then, no girls dancing like the boys, but I did hang around the fringes learning traditional women’s dance, while listening real hard. During that time, looking for a way to fill a hole in my broken heart, I had the good fortune to witness a Native American women’s drum circle…I was in LOVE. I followed them around like some little puppy dog groupie and eventually they allowed me to join them–HEAVEN! Time and place had changed the “rules”…I was living in CALIFORNIA now! I have been singing and drumming in native women’s plains-style drum circles for more than 20 years. I want to continue with my education and look forward to any drum circles that support the learning. Believe me…these are the times…and here we ARE!
Middle Eastern Song and Culture
Fatima is an amazing singer, Oud, and percussionist of Middle Eastern music. She will be co-teaching her workshop with Susu Pampanin.
Middle Eastern Drumming
Susu’s first drum lessons as a child were given to her by her mom, Amina. This was followed by years of playing for Amina’s belly dance classes and performing in bands that accompanied Amina’s dance company (Aswan Dancers). Amina has been dancing drumming for decades and is excited to join Susu, co-teaching the Middle Eastern Rhythm classes this year at Born to Drum 2016. In 2013, Amina and Susu recorded a cd in Egypt with Safaa Farid’s band. They work together as percussionists in the Caravan Band, Aswat Arab Community choir, and the Georges Lammam Ensemble, and with Amina’s dance company, the Aswan Dancers. Susu teaches weekly class at Amina’s SF home studio. Susu has explored and studied all types of percussion instruments and styles of music, and her incredible talent is especially evident in her work in Middle Eastern drumming. Susu is well known for her virtuosity in Arabic drumming and is one of the few female Middle Eastern. drummers highly respected by the Arabic professional music community. She has worked and recorded with fusion ensembles, including Wild Mango, Keith Terry and Crosspulse, Stellamara, Jazayer, BlueNile, Vince Delgado Quintet, Susu and the Cairo Cats, and most recently, Holly Near. She also has a solo drum CD, Hands of Time.
Medicine Woman ~ Spirit Wisdom
Amikaeyla is an amazing vocalist and percussionist who comes from the Washington DC area. She has studied, recorded with, and shared the stage with many award winning artists, including Take 6, Sweet Honey In The Rock, Baba Olatunji, Mickey Hart, Gil Scott Heron, Wyclef, Ubaka Hill, Ferron, Vicki Randle, Linda Tillery, Chris Williamson, and Pete Seeger. Proclaimed as one of the “purest contemporary voices…” by National Public Radio, powerhouse Amikaeyla embraces the best of many types of music: from Bel Canto, Funk & Bossa Nova to Blues, Sacred Chanting and Soul, Afro-Cuban and Jazz. Before moving to the SF Bay area in 2007 Amikaeyla recorded her debut album Mosaic (2004), which received national acclaim, and earned her eight Washington Area Music Association Awards, or Wammys, including Best Jazz Vocalist, Best Jazz Recording, Best Urban Contemporary Vocalist, Best World Music Vocalist, Best World Music Recording, and Best Debut Album. Amikaeyla was named DC’s best female composer in 2006 & 2008, and was also honored with first prize for Best World Music Composition from the 2010-2011 Maryland State Arts Council. She has also performed in many off-broadway music theater productions and has also produced, written, and directed for several theater companies. Her continued work in Radio, TV, & Film has lead to appearances on PBS HBO & at The Sundance Film Festival. Her albums include: Lush; Live from the Kennedy Center; Uncertain Odyssey; and Songs & Stories of the journey of a Refugee. Her latest album, Being In Love, was released in 2012 to critical acclaim. Amikaeyla is a dynamic performer with heart, soul, international appeal, and is sure to inspire.
West African Djembe and Dunun
Afia Walking Tree’s philosophy is that we are all on a journey to re-emerge as whole beings and be in sync with our universes. She uses African Diasporic drumming, singing, dancing, and the honoring of one’s lineages as vehicle to help her clients and participants cultivate new tools and pathways to realize their destinies. Born and raised in Kingston, Jamaica, Afia Walking Tree is a masterful percussionist, visionary facilitator, and outstanding performer, singer-songwriter and recording artist who builds’ bridges across multi-ethnic intergenerational communities. Afia has been a collaborative artist with many luminaries of our time. In 2007 and 2008, Afia toured with the internationally acclaimed Les Amazones Women Master Drummers of Guinea as one of their lead soloists. January 2009 Afia chaperoned thirty three people on her second Drum and Dance Cultural Immersion Tour to Guinea. There she received initiations for playing Djembe and Dunun for numerous ceremonies, dances, and social celebrations. Afia offers intensive study and consultation for individuals, semi-privates (2-4), and small to large groups at all levels. She also brings her work to schools, non-profits, colleges, universities, and corporations internationally.
Brazilian Drumming
Michaelle Goerlitz has been playing drums and percussion since she was eight years old. After attending college in the Midwest, she moved to San Francisco in 1980 to continue her studies, which have led to exploration of Brazilian, Afro Cuban, Venezuelan, and Middle Eastern rhythms (plus American idioms jazz, R & B & funk). She was a founding member of two renowned & long-term projects, the Blazing Redheads and Wild Mango. Both groups blended many different styles which showcased Michaelle’s versatile percussive skills. Among the list of people Michaelle has played with: VNote Ensemble, Venezuelan Music Project,Chelle & Friends, Wayne Wallace, Mark Levine, The Brazilian Jazz Project, Ojala, rhiannon, Barbara Higbie, Jami Sieber and Samba Rio.
Isabelita Papa
Self Healing with Qigong and Sound
Isabelita’s spiritual and healing journey began in 1973 shortly after she completed her degree in business arts in her native Philippines and moved to San Francisco. Her spiritual training in ancient and innovative practices includes her ordination as a Buddhist nun with a Burmese meditation master Ven Taungpulu Sayadaw. Isabelita has also studied and practiced Vipassana meditation for more than 25 years under the guidance of Dr. Rina Sircar, head of the Buddhist psychology department at California Integral Studies graduate program in San Francisco and Years practice of Syda Yoga, Advaita and Taoism. Isabelita is a certified Dayan Qigong teacher, trained one on one, by master Hui Liu disciple of Master Jiang from Kunlun Mountains of China and a Certifed Adult Education Instructor She has often returned to the Philippines, where for more than 15 years she has worked with renowned traditional healers. During a 2004 pilgrimage to the sacred mystical cave Palawan, Isabelita experienced an initiation into the life force energy of the mountain cave. It is her destiny to share the medicine and psychic power she received there. An important element of Isabelita’s personal journey and healing gifts is her grief-work, which she credits with opening her goddess nature. Grief, ritual and spiritual practices helped her survive the losses of her parents and 2 brothers and other deep traumas. She is a certified hospice volunteer who has often counseled others who have lost loved ones. For fifteen years, she has conducted her own workshops and rituals for motherless daughters. She also helps her clients and friends perform grief and death rituals. Isabelita volunteers healing touch and teaches Qigong for low income women with breast cancer at Charlotte Maxwell Clinic, and for Senior Filipina women with breast cancer and other challenging health issues. Isabelita helps all her clients flourish the same way she does: Practice meditation, and let yourself be guided effortlessly. Welcome the many mysterious and wondrous ways that spirit shows up when you are open. Certified, Restorative Therapeutic Yoga, Pilates Instructor for senior students and with health challenges, Gold Zumba, Certified by the board education for health fitness, nutrition and Art therapy. Currently continuing her education in Qigong teachers training for the second level Set. For more than 30 years, Isabelita maintains a continuous private practice in Oakland.
Afro Cuban Bata Drums
Elizabeth Sayre is a percussionist and musicologist who has performed, published articles about, and organized events around Afro-Latin, Brazilian, and African music since 1990. She is a freelance musician, teacher, researcher, writer, and translator/interpreter. She relocated to the Bay Area in July 2012 and has been playing and teaching batá and other percussion, accompanying classes and performances with Arenas Dance Company, and working as Arts Education Coordinator at the Grand Theatre Center for the Arts in Tracy, CA. In Afro-Cuban music, she has studied with John Amira, Orlando Fiol, Amelia Pedroso, Lázaro Pedroso Michael Spiro, Michel Aldama, and Orlando Álvarez González in Philadelphia, New York, San Francisco, and in Havana and Matanzas, Cuba. Since 1999 she has accompanied Afro-Cuban dance classes in New York City (batá, congas), Philadelphia, and the Bay Area for former dancers from the Conjunto Folkórico Nacional de Cuba, Yoruba Andabo, Cutumba, and Raíces Profundas. Elizabeth was percussion captain for Obini Ashe and founder/musical director of Okan Iloro, two all women’s Afro-Cuban folkloric groups based in New York. In the mid-1990s she was invited to join Samba Nosso, the project which eventually became Philadelphia’s dance band sensation, Alô Brasil. In Spring 2013, she co-organized Ojalá’s trip to the Festival del Caribe in Santiago de Cuba. Ojalá is an 8-woman ensemble that fuses Afro-Cuban and Brazilian percussion with African American roots music.
Body Percussion and Middle Eastern Percussion
Debbie Fier has over 35 years of experience as a performing vocalist, drummer, pianist, composer, percussionist, and teacher. She has studied numerous drum styles for over 30 years, including Afro-Cuban and West African rhythms, focusing deeply on the rhythms and instruments of the Middle East and N. Africa. She drums and performs regularly with the Sabah Belly Dance Ensemble (http://www.sabahensemble.com/) and the band Safra, (https://www.reverbnation.com/safratheband) as well as with a variety of music groups, dancers and poets, in educational, musical, and spiritual settings. Debbie continuously uses music and drumming to build bridges between different cultural and spiritual communities. Her passion for rhythm and music is evident in the energy she brings to her craft – creating an environment for safety, playfulness, and exploration for her students and the other musicians and dancers that she collaborates with. She teaches body percussion and drumming throughout the bay area, coaching people on how to tap into the power of drumming and rhythm as both a meditation and a healing tool, and performs regularly on dumbek, riqq, tar and djembe. Over the past 10 years, she has found a home at Kehilla Community Synagogue as a spiritual leader through drumming, where she has been named the ‘Heartbeat of the Service’. She teaches classes called ‘Drumming as Prayer’. Her original compositions are available on four recordings — In Your Hands, Firelight, Coming Home, and her most recent, Arise, Kehilla – Inspirational Music of Kehilla Community Synagogue. All are available on itunes! For more info: www.Debbiefier.com
Angela Porter
Healing Journey – Breema meditation
Angela Porter, IMF, CATC, CMT, is an addiction treatment specialist, and Marriage and Family Therapist. Trained in Counseling Psychotherapy, Gestalt Awareness Practice, and Integrative Body Psychotherapy, body-mind integration is the basis of her work. She is a certified Breema instructor, and has been teaching Breema since1998, to healing professionals internationally. Until recently she served as Program Director for New Bridge Foundation’s addiction treatment program in Berkeley, where she incorporated Breema into the treatment curriculum- working with veterans in early recovery with co-occurring PTSD, anxiety, and depression. She is now in private practice and Breema is the foundation of her work with people transforming trauma.
Mar Stevens
Djembe Vibrations!
Congolese, Congas
Sue Kaye (Suki) has been playing conga drums, Ngomas, and other percussion for 35 years. Originally from New York, Suki has studied with many master drummers from the Congo, Cuba, Puerto Rico, Brazil, Trinidad, and more. She has played with a variety of groups including Montuno Groove, Omeyocan, Zakiya Hooker, Samba Ngo, Bole Bantu, Azucar con Ache, and Rita Lackey and friends. The styles she plays are a mix of African, Caribbean, Latin, Jazz, both folkloric and popular styles. Suki has also been a dance accompanist and educator, and she is happiest when playing drums!
DRUMMM Circle Facilitator
San Francisco Bay Area percussionist and registered art therapist Jeni Swerdlow, MA-ATR is a dynamic and engaging facilitator, trainer, presenter, and performer. Founding DRUMMM Rhythmic Events in 2000, her interactive, “hands-on” group drumming programs have engaged many thousands of participants at a wide variety of events in the U.S. and abroad. Swerdlow is a REMO endorsed drum circle facilitator, trained HealthRHYTHMS facilitator, and lifelong student of West African drumming and world percussion. Swerdlow is best known for her innovative strategies and playful attitude that foster teambuilding, support wellness, enhance celebrations, and strengthen community for event participants of all ages and backgrounds. More info is at www.DRUMMM.com
West African Dunun and Djembe
Larissa Montfort has been exploring her passion for West African, Congolese, and Afro-Cuban rhythms since 1995 with many teachers, including Mabiba Baegne, Ubaka Hill, Yona Fleming, Malonga Casquelord, Stori Davis, and Afia Walking Tree. Larissa traveled to Guinea, West Africa to study dance with Youssouf Koumbassa and Yamousa Souma and djembe and dunun with Amadou Camara and Lamine Dibo Camara. Larissa continues to apprentice with her primary mentor, Afia Walking Tree. She performs with Afia Walking Tree’s Spirit Drumz ensemble as well as with Mamayah, a Sonoma County-based women’s West African drum ensemble. Larissa assisted Ubaka Hill at Michfest where she helped teach and direct the Drumsong Orchestra. Larissa accompanies dance classes, women’s rituals, and healing circles. In her own words Larissa shares: “Drumming allows me to express my joy, strength, and freedom, while serving the spirit of the music, the dance, and the empowerment of women.”
Healing Journey – Women’s Spirituality and Diversity
Arisika Razak, RN, NM, MPH is an Associate Professor of Women’s Spirituality at the California Institute of Integral Studies (CIIS), where she has also served as Director of Diversity, and Women’s Spirituality Program Chair. She presents at numerous conferences on the subjects of multicultural feminisms, women’s health and healing, and embodied spirituality and movement. Arisika has led empowerment workshops for women for over 30 years and spiritually based workshops for women, men and beings of diverse genders for over a decade. For over 35 years she has been a spiritual dancer who integrates teachings based on diverse spiritual traditions, contemporary liberation struggles, and women’s health, healing and transformation into the language of movement and dance. She has achieved local, national and international recognition as an educator, artist, and practitioner. Her film credits include: Alice Walker: Beauty in Truth which showcases the life and work of Alice Walker; Fire Eyes by Soraya Mire, the first full length feature film by an African woman to explore the issue of female genital cutting; and Who Lives Who Dies a PBS special on health care services to marginalized and underserved populations.
Keeper Of The Beat
Barbara Borden—drummer/percussionist – began drumming at age ten. Her musical expression is diverse: composer, recording artist (Beauty in the Beat, All Hearts Beating); performer – soloist, collaborator with other musicians and artists, member of the all-women jazz quintet Alive! (Alive!, Call It Jazz, City Life); teacher – drumkit, West African djembe and ceremonial drums – in groups, community drum circles, workshops, clinics, retreats and private lessons. Borden is the subject of Emmy-award winning filmmaker, David L. Brown’s documentary, KEEPER OF THE BEAT: A Woman’s Journey Into the Heart of Drumming. With drumming and music as her ally, Borden continues to dedicate her life to keeping the beat of love, peace and joy alive and thriving.
Healing Journey – Hands on Healing and Embodied Movement
Regina Wells is a full-hearted singer whose voice and presence touches people deeply. She has been singing all of her life, from her youth leading Catholic folk masses to venues large and small around the USA. She has shared the stage with Linda Tillery, Carolyn Brandy, Edwina Lee Tyler, Santana, rhiannon, Bobby McFerrin, Melanie DeMore, Toshi Reagon and her own band Rashida Oji and Middle Passage – and Ojala’. Today Regina walks a path of service and ministry to elders and people suffering from chronic pain, depression, anxiety, addiction and Alzheimer’s as both a Rosen Method Bodywork Practitioner and Movement Instructor. She is strengthened by her initiation into and practice within the Regla de Ocha tradition.
La Palabra Musical
Avotcja (pronounced Avacha) is a card carrying New York born Music fanatic/sound junkie & popular Bay Area Radio DeeJay & member of the award winning group Avotcja & Modúpue. She’s a lifelong Musician/Writer/Educator/Storyteller & is on a shamelessly Spirit driven melodic mission to heal herself. Avotcja talks to the Trees & listens to the Wind against the concrete & when they answer it usually winds up in a Poem or Short Story. For this Festival my Workshop will be on La Palabra Musical, The Music Of The Word, the Rhythm that speaks in us & through us & our responsibility in using this most sacred of gifts wisely. I want to unlock a waterfall of poetic metaphors as strong as any Rhythm you’ve ever heard played on the Drum & see where it take us!!! I’m ready, are you?
Afro-Cuban Dance
Susana Arenas Pedroso is an internationally recognized Cuban Folkloric and popular dancer. Born and raised in Havana, Cuba, Ms Pedroso began her career in dance at age twelve, studying at La Casa de Cultura de Matanzas and at Cojunto Folklorico Nacional in Havana. She danced professionally for seventeen years in Cuba with popular, folkloric and theatrical performing groups, including Tierra Virgen, Alafia Ire, Oche Olorun, Oriki, Clave y Guaguancó, Oba Wemilere, Rumberos de Cuba, and Raíces Profundas. Since her arrival in the United States in 1998, Ms Pedroso has performed and choreographed numerous pieces that have been exhibited throughout the United States, Mexico, Cuba and Hong Kong with companies such as Omo Ache, Omo Oddara, Ban Rarra, Ire Ile, Alayo Dance Company, Las Que Son Son and Obini Ashe.
Corrina Gould, Chochenyo Ohlone
Ohlone Culture and Activism
Corrina is a Chochenyo and Kerkin Ohlone woman born and and raised in Oakland, CA, Corrina is the mother of three children Corrina is the Co-Founder and a Lead Organizer for Indian People Organizing for Change(IPOC), a small Native run organization that works on Indigenous people issues as well as sponsoring an annual Shellmound Peace Walk to bring about education and awareness of the desecration of the sacred sites in the greater Bay Area, 2005-2009. IPOC has led many actions including the 2011 Occupation of Segorea Te in Vallejo, California which was successful in preserving the sacred site. Corrina also sits on the California Indigenous Environmental Association Board , the Board of Directors for the Oakland Street Academy Foundation and is the treasurer for the Edes HOA.
Jnana Gowan
Despacho Ceremony – Creating a Gratitude Bundle
Jnana Gowan is a shamanic practitioner & Sanctioned Teacher of the Peruvian Pachakuti Mesa Tradition. As an Urban Ceremonialist & healing practitioner, Jnana has led workshops, classes and retreats for two decades. These events/healing sessions are infused with her unique blend of enthusiasm, insight, body-knowledge, and a good sense of humor. The Ukhu Pacha Healing & Inquiry Space, in Albany, CA is where she leads community events & offers private healing and teaching sessions. www.powerhed.com
Ayisha knight-Shaw
American Sign Language Teacher
Hello my name is Ayisha Knight-Shaw, and I grew up in Oakland, California to a white Jewish mother and a Black and Cherokee father. I’m very fortunate because I grew up being exposed to a multitude of different cultures, and all of these experiences I took to heart with a mutual respect and understanding. While I grew up with my own cultural identities, others around me had a variety of different labels for me. I’ll explain more about myself. I’m a proud Deaf artist, photographer, actress, and American Sign Language Teacher. I had a balance of positive and negative experiences within the classroom setting. After graduating from High School, I took a year off from school and traveled around the United States before entering the University of California at Santa Cruz. Although my major was in the theater arts, I started teaching Deaf Latino children in Watsonville, CA. Their parents were primarily farm workers who worked in the fields near the school. It was such a profound and wonderful experience for me that I decided to continue my career in education. After receiving my Bachelor of Arts degree in Theater Arts, I went to Gallaudet University and got my Masters degree in Sign Language Education (MASLED). I learned many teaching techniques, and taught at the Maryland Secondary School for the Deaf (MSSD) before moving to Boston, MA. Since arriving in Boston and making my home here, I have been teaching in a multitude of settings from colleges and Universities to Deaf schools, adult education and hospitals. My clients range from Deaf infants to senior citizens, encompassing several different cultures. My goal is to teach Deaf children and see them thrive with their ASL skills for generations to come.
Healing Journey: Ofrenda/Personal Offerings
Christina Primavera Tavera is first generation American, her roots firmly planted in Peru and Colombia. Christina has been studying Andean Ofrenda ceremony traditions for (8) years. She has learned this ceremony from her Peruvian teacher, who learned from her Peruvian teacher. These ceremonies are taught in the oral tradition. Christina creates ofrendas for most new and full moons and dedicates them to the healing of our earth community. Check out her Facebook for images of the past offerings.
Carolyn Brandy
Artistic Director of Women Drummers International and co-creator of the Born to Drum Women’s Drum Camp
Carolyn Brandy has been drumming for over 40 years. She has been instrumental in bringing women to the spirit and healing of the Drum. She was also the founder of the Bay Area’s favorite marching band, Sistah Boom in 1981. In 1976, Carolyn co-founded the popular band, Alive! that toured the nation for almost Women Drummers International10 years and has 4 recordings to its credit. She has worked in the SF Bay area for many years as a composer, performer, teacher and cultural worker Carolyn is an expert in the folkloric drumming styles found throughout the island of Cuba. She has been a practitioner of the Yoruba-based Cuban religion, Regla de Ocha, also known as Santeria, since 1977. She was initiated as a priest of the religion in Havana, Cuba by Amelia Pedroso in 2000. Carolyn has led five successful cultural tours to the Island of Cuba to study Folkloric music. She has organized workshops in Havana, Matanzas, Cienfuegos, Camaguey, Santiago De Cuba, and Guantanamo, where the groups studied with masters of Afro-Cuban drumming and dance. Carolyn has recently produced an instructional DVD series called: Step by Step Conga Instruction.

About US

Women Drummers International is a a 501(c)3 nonprofit tax-deductible organization. Donations to Women Drummers International

The Mission of Women Drummers International is to empower women and girls in all aspects of their lives through the message of the drum, which represents not only a musical experience, but a cultural and healing experience as well. We believe that we are participating in a global movement of women drummers at this time on the planet. Women Drummers International is committed to creating a positive and empowering environment for women to teach, learn, and perform this incredible art form.

  • President

    Carolyn Brandy

  • Treasurer

    Rana Halpern

  • Secretary

    Bonnie Bell

Carolyn Brandy • Jeannie Little • Bonnie Bell • Rasán Gray • Ngaire Young • Christina Tavera • Rosetta Saunders

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